One for the discerning, well-travelled reader. The letterforms are confident yet fluid, creating an overall sense of refinement and modernity. However, once a font has been outlined, Illustrator retains no information regarding the original font. Choose Type > Font / Recent Fonts and select a font name. If type is still live, meaning you can select and edit it as type with the Type Tool, then using Type > Find Font from the menu will list all the fonts and faces used in the document. "This elegant, cosmopolitan font comes in three display versions and four text versions, and is characterised by its thoughtful contrasts between thick and thin between sharp angles and sophisticated curves. In the Control or Character panel, choose a font and a font style from the Font Family and Font Style drop-down list. Designer Alessia Mazzarella told Creative Boom: "Named after a southerly wind that blows over the Mediterranean sea, FS Ostro breathes warmth into letterforms with their roots in colder, stark Modern typefaces. Now let's take a closer look at each one, starting off with FS Ostro – a typeface with a cosmopolitan elegance. "It’s our job as type designers to negotiate trends, and we look at what’s happening in music, fashion, car design, art, architecture – all those things inform us as visual designers, classic craftsmanship is all around us." You can be more expressive in some cases with serifs. "There’s a backlash beginning against a lot of online brands looking the same: people and brands want to be identifiable, so we’re moving away from those geometric monoline styles. People want to read things properly, and to see and importantly feel something different – we can, and do, use serif typefaces digitally. "Screens are so much better these days and audiences are much more educated, so you don’t have to dumb down fonts. "Everyone’s getting tired of the same old geometric fonts we see online," says Fontsmith founder Jason Smith. Whilst you might already be familiar with Fontsmith's existing serifs, FS Kim, FS Neruda and FS Ostro were all created to bring something entirely new: a fashion-influenced showstopper, a quirky Sabon-inspired old-style serif and a contrasting Modern-style serif respectively. What they have in common is a marriage of classic, utilitarian values and striking, original touches that make them at once eye-catching and versatile. The serifs all work across an impressive range of settings: headlines, large body copy, smaller body copy and more. Designed to be highly legible while retaining personality, this is a bouncier alternative to more traditional geometric sans serifs like Avenir. Whether those tales are hard-hitting news stories, poems, plays, gossip or serious non-fiction, these fonts are designed to tell them perfectly. Released by Mindburger Studio, Bergen Text is the companion font to Bergen Sans and is a font similar to Avenir. These fonts are storytellers and aimed at those who tell stories – from brands to books to newspapers and magazines, to online editorial platforms.
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