The couple would parent six daughters and two sons and it was only his family that could rival his devotion to his art. The pair, who would enjoy a happy marriage with Alice in full support of her husband''s career, settled initially in Brooklyn where their first child was born. Though some fifteen years his junior (Chase was 37), he had known Alice for some time through her family''s devotion to the arts. In 1887 Chase married Alice Gerson, the daughter of the manager of a lithography company. While no record exists of Whistler''s portrait of Chase Chase''s portrait of Whistler remains a well-known piece in his oeuvre. For his part, Whistler criticised Chase''s finished portrait and, according to Hirshler, "complained about Chase for the rest of his life". Eventually, however, Whistler''s moods began to grate with Chase who wrote home stating "I really begin to feel that I never will get away from here". While Whistler had a reputation for being difficult, the two artists got along famously and agreed to paint one another''s portrait. On another European trip in 1885, Chase met James McNeill Whistler in London. Indeed, Chase had met Sargent in Europe in 1881, the two men becoming lifelong friends with Sargent painting Chase''s portrait in 1902. It is also thought that he was influenced by John Singer Sargent''s In the Luxembourg Gardens (1879) which was exhibited in New York at this time. Both artists influenced Chase''s Impressionistic style that gave rise to a series of New York park scenes. The exhibition featured loans of three works by Manet and urban scenes by the Italian Impressionist Giuseppe de Nittis. In 1883 Chase was involved in the organisation of an exhibition to help raise funds for a pedestal for the Statute of Liberty. 3, illustrates the rare 1st state, this being a 2nd state before any other the engraved title and Chase''s name in the bottom margin which are found in the third state. 1894, in the collection of the Detroit Institute of Arts as well as numerous other portraits of her. The consignor was Associated American Artist’s as they were liquidating their stock prior to closing the gallery.ĭorothy was the subject of Chase’s painting, My Little Daughter Dorothy. They were acquired at auction in a single auction lot, housed in a paper board folder. This example was part of a group of impressions that came down in the Chase family via his daughter Dorothy Bremond Chase, his third daughter. It was for this American Art Review printing that the engraved titled and type face signature below the image were added to the plate. Koehler, American Art Review, September 1878. The etching was later published in Sylvester R. He sold them for a modest price to increase his fame. It was exhibited in the 1876 Centennial Exhibition in Philadelphia where it won a Medal of Honour and helped establish the artist’s reputation as a leading American painter.Ĭhase, always conscious of self promotion, created the etching and had numerous impressions printed. The painting was created in Munich during the artist’s studies there. It is based on his famous painting, Keying Up-The Court Jester, in the collection of the Pennsylvania Academy of Fine Arts. In the final state, with engraved titled and typeface engraved artist’s signature below the imageĪccording to Pisano, this image was very popular during Chase’s life. Printed on thin light golden Japanese tissue paper Proof before engraved title and engraved names CC0 Creative Commons Zero, Public Domain Dedication false falseSigned in the plate lower left corner (see photos) You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission. The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication. Please see the Gallery's Open Access Policy.Įnglish | español | Deutsch | français | português | русский | +/− This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art.
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